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In the poisoning montage that follows Sebastian’s discovery and revelation to his wicked mother, several ominous shots of Alicia’s coffee cup are included.
It is unclear to Devlin at first that she is becoming weak and ill from poison; he assumes that she has returned to the liquor bottle to cope with the strain of her situation, tying the climax of the plot very closely to the exposition through the visual symbol of drinking.
The drink here is the indicating the care that Devlin will take for her well being, both as her spy handler and as her would-be lover.
Many films are satisfying on first viewing, and many are rewarding after careful and repeated viewings, but few films can make such a thorough claim to be both.
I cannot recall when I first saw the film, but I do remember that my initial impression was being captivated by the suspense of the political intrigue and espionage that drive the plot.